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2025: cherishing the moment we share together, because in that moment, that’s all that exists
The OBJECT:PARADISE team reflects on the happenings, events, and insight that 2025 gave us.
Momentument: event 1 at Místečko (Žižkov)
Unlike 2024, 2025 was a year of many personal projects, experiences, and achievements for the OBJECT:PARADISE collective and its wider community. From events, films, books, and exhibitions, we are glad to have shared so many tender and wonderful moments with our community. And while O:P hosted fewer events than usual this year, we were certainly busy working behind the scenes with our friends who believe that art should be a community-based experience because it is in these moments where meaning is found, created, and shared.
Unfortunately, 2025 began with the sad news of the passing of Ásgeir H. Ingólfsson, a long-time friend, O:P contributor, and staple in the Prague community. We had the pleasure of hosting Ásgeir at our very first language happening, Poetry of Sound (2018, Czech Inn), and later at our first international language happening, Performance Deformance Reformance (2024, Poland).
![Ásgeir H. Ingólfsson, Tyko Say, and Sandra Pasławska]()
Unfortunately, 2025 began with the sad news of the passing of Ásgeir H. Ingólfsson, a long-time friend, O:P contributor, and staple in the Prague community. We had the pleasure of hosting Ásgeir at our very first language happening, Poetry of Sound (2018, Czech Inn), and later at our first international language happening, Performance Deformance Reformance (2024, Poland).
Ásgeir H. Ingólfsson, Tyko Say, and Sandra Pasławska
Over the seven years that we knew him, he published pieces in KROTCH Mag and performed in several O:P curations: Sound of June, Channels of Communication, 1-minute mundane, Tunnel Vision(s), and Performance Deformance Reformance. We are grateful to have met such a thoughtful writer and wonderful person who celebrated the strange realities of life in his prose and poetry. Ásgeir died at age 48 after a short and fierce battle with cancer.
Ásgeir h ingolffson reading on the tram (Prague)
On January 18, we printed the 18th issue of KROTCH Magazine, which would, sadly, feature Ásgeir‘s last published text.
On February 1, the Prague community gathered to celebrate him as a writer and friend. We read pieces from his book The Future along with other works dedicated to him. We send our thoughts to his friends and family. Members of the Prague community are currently editing an anthology of his poetry, due to be released in 2026.
Memorial reading for Ásgeir h ingolffson (February 1st 2025)
In March, we challenged the durability of the O:P Manifesto by applying it to a visual poetics rooted in community participation and pragmatism at Místečko in Žižkov. The project was framed around the question:
“If you could paint a state of mind, would anyone else understand it? And would that be art? Or just a moment?”
The project occurred across three events: creation, curation, and celebration.
For the first event, the objective was to observe how visual communication patterns are created in real time through community collage and chaos. We erected two large blank canvases in the gallery and asked community members to deface them with whatever methods, motives, or motifs were at their disposal. What resulted were two community works shaped entirely by the moment.
Excerpt from the MOMENTUMENT Zine
For the second event, we invited community members back into the space, but rather than creating, we asked them to curate the work by deciding what should and shouldn’t be seen. People came with empty picture frames—bought, created, or found—and placed them on the canvases, highlighting their subjective perspective and experience of the moment. At the end of the three-hour event, 26 frames were nailed into place. Then we cut the excess canvas beyond the frames, exposing an erasure of the context that they originated from.
Excerpt from the MOMENTUMENT Zine
For the final event, we exhibited the framed perspectives in a one-night vernissage/dernisaz event, featuring readings, sound, and performance by community members. Toward the end of the night, frame owners were instructed to take their perspectives off the wall and home with them, celebrating the temporality of art, time, and memory.
OBJECT:PARADISE Banner
The 26 framed pieces, now separated from the collective canvas, exist not alone, but differently in their new spaces—as we do, as we will, until we meet again, newly, in the momentument.
The project was filmed as part of the annual OBJECT:PRAHA film series and would be screened in Berlin and Prague later that year.
Filmers Tyko Say and Vaclav Šulc at the final event of Momentument
We thank all participants for their subjective experiences:
Sandra Pasławska, Uglješa Janjić, Nic McDonald, Sasha Honigman, James Tickner, Agnar Danielsson, Mariya Shatova, Viktor Švolík, Michael Rowland, Hana Slaninová, Matěj Fibigr, Keelan Kechane, Tyko Say, Elkin Kutluer, Salomé Tissot, Eve Miller, Leńa Simon, Ariel Lanchman, Jaromír Lelek, Cody Perk, Jan Černý, Philip O’Neil, Philip Ester, Daniel Gurin, Federico Pirredda, David Stiny, Michele Cappelli, Markéta Kobrová, Ella Wegerová, Sára Wegerová, Celine Mammatova, Jo Blin, Tim Postovit, Jan Tomeš, Martin Koloušek, Anna Pulkrabová, and Honza Luhan.
Final works after event 1 of Momentument
Momentument as a project—and later, in the film—was perhaps our greatest project curated from the O:P Manifesto in 2025. It embodied the idea that temporality and context provide value, and that when an experience is co-created and shared, a natural feeling of belonging and meaning can be found.
Event 3 of Momentument live video recording and mix
In April, O:P was invited to the Spring Zine Festival at Eternia where we showcased the 19th edition of KROTCH Magazine among many other DIY zines and creations from the Prague community. At the event, we displayed back issues of KROTCH along with our archival VHS footage on a small TV and a very long extension cord. The setup was simple, but the point wasn’t the setup—it was the response of people, “This is happening in Prague? Where can I submit?”
![KROTCH Magazine]()
Backlog of KROTCH Magazine
Shortly after, Louis Armand celebrated the launch of his new book, A Tomb in H-Section, at the Místečko gallery. The night featured readings and performances derived and/or inspired from his 664-page multi-media / multi-genre collection. The event wasn’t a traditional book launch, but a happening where the room became part of the work. Later in the year, pieces of that energy would echo again—especially in October at the Prague Microfestival.
A Tomb in H-Section Release Event
From April, Tyko Say met with film editor Victor Tomsa and began crafting OBJECT:PRAHA V: Momentument. The collaboration presented new methods to communicating the O:P Manifesto to a general audience while still staying local, specific, and community-driven.
Because Momentument was so rooted in people, places, and participation, it also required a technical crew that understood the sensitivity of documenting community without flattening it. We want to give a huge thank you to our crew who helped make OBJECT:PRAHA V possible: Editing — Victor Tomsa; Sound — Nikodem Dybiński & Petar etar et; Camera — Václav Šulc; Color — Lenka Bondorová; and Gallery Manager — Nic McDonald.
In May, O:P was invited to give a guest lecture at the Film and Television Faculty of the Academy of Performing Arts in Prague (FAMU) where we shared the O:P Manifesto, the value of community-driven works, and our purpose for using analogue media. We want to thank Eric Rosenveig for inviting us to talk with students.
Shortly after our academic presentation, Warm Braník, the O:P-based sound project, gave their “last concert” performance as part of the book launch for Pigeons at Breakfast—a collection of haiku written over the Covid-19 pandemic by collective members Tyko Say and Jaromír Lelek. The event featured readings, performances, and lots and lots of mustard (the book was christened in a 3-gallon bucket of mustard) . Warm Braník—composed of Sandra Pasławska, Roksan Mandel, Jaromír Lelek, and Tyko Say—closed out the night with classic, improvised hits such as “Don’t put your Braník in the Fridge,” “There’s a Skeleton in my Body,” and “Give me More Protein.”
Pigeons at Breakfast
Later in May, Jo Blin invited us into her Playground—a vast space, raw and cold, with a towering ceiling, a central balcony, and an expansive open floor below. It was the right kind of room for an adult playground: 15 interactive works that exposed the thin border between propaganda and satire (and how easily a room can shift from one to the other depending on how people move through it).
Michael Rowland and Jaromír Lelek at Jo Blin’s Playground
In June, Robert Carrithers invited O:P to Berlin to premiere the fifth iteration of the OBJECT:PRAHA series: Momentument. The film premiered alongside Carrithers’ exhibition dernisaz of BLACK & WHITE & READ ALL OVER, a collection of chalk drawing memories and stories from his life in New York in the 1980s. The event attracted friends and artists who were in Robert’s stories, along with people interested in what life was like in the 80s art scene of New York.
Nic Mcdonald and Robert Carrithers in Berlin at the Momentument Premiere
Similarly, a large group of friends who contributed to the Momentument project back in Prague also joined in Berlin for the world premiere. While each group came from a different context and history, both shared a common thread: community, and the value of temporality. We thank Robert Carrithers for inviting us to share our project and Manifesto with a community who shared the same values as us.
OBJECT:PRAHA V : Momentument Premiere
Later that month, collective members Tyko Say and Sandra Pasławska celebrated their first of four weddings in Sandra’s village: Orneta, Poland. Of course the event celebrated the love and relationship between Tyko and Sandra, but it also celebrated the opportunity to bring O:P collaborators and friends together for something that wasn’t (entirely) about performance and poetry. We were happy to host over forty friends who traveled from around the world to share the special moment. The ceremony was officiated by Jaromír Lelek and Wiktoria kruk in particular O:P fashion.
Polish Wedding of Tyko Say and Sandra Pasławska
In August, OBJECT:PRAHA V: Momentument premiered in Prague at Kino Pilotů where participants and community members gathered to celebrate the achievement of viewing a VHS film on the big screen.
The event was followed by a discussion with Jo Feinberg of A2 Magazine where we discussed the purpose of the project, our value in community-driven works, and the magic of the O:P Manifesto when shared at the local level.
At the end of the month, Tyko and Sandra celebrated their second wedding—this time in Žižkov, where attendees came dressed in their best wedding dresses. The event started with performances by long-time O:P friends (China Soup, Alpha Strategy) and ended with a final performance by Tyko and Sandra’s no-wave project: David’s Sister. The night was officiated by Jaromír Lelek, who stood shirtless in ceremony surrounded by stacks of TVs playing analogue mixes that stated: “Tonight, we all get married.”
The Žižkov wedding of Tyko Say and Sandra Pasławska
In September, we celebrated former O:P Sound Director Roksan Mandel’s release of her first EP, Pure Magic, at Kampus Hybernská. The album features four earworm tracks that were performed live, along with several other tracks with her Turkish group 3Kalp Trio. We congratulate Roksan and her team on the great achievement and are also a little angry that all of her songs are still stuck in our heads.
EP Release show of Roksan Mandel at Kampus Hybernská
In October, O:P was invited to screen Momentument at the 17th annual Prague Microfestival. The festival took place across three days and featured readings, performances, and film screenings across the Prague community. While O:P was not part of the scenography team this year–due to Tyko & Sandra’s third wedding happening in Seattle, Washington at the same time–we were happy to learn that the space did, still, feature a few TVs along with a diverse range of installations and other media that made the PMF space feel immersive in its traditional interdisciplinary & chaotic fashion.
At the festival, Michael Rowland released his book, The Unnamable Object, which features 100 “Prague Cantos,” depicting and painting the various happenings, spaces, and faces that interweave throughout the city.
Later that month, we received the latest copy of the Québécois journal, Spirale, where samizdat researcher and writer Alice Derrier wrote about KROTCH Magazine and the OBJECT:PARADISE Manifesto:
Unfortunately, in early November we learned that another great writer and Prague staple, Philip O’Neil, had passed away. Philip was a prominent figure in the Prague literary community, often giving readings in his deep, honest voice, including the memorial reading for Ásgeir just earlier that year.
In March, however, we had the pleasure of presenting his work at the Momentument project, where he attached a collage of his own to the canvas that was composed of medication and shards of reflective glass. Although often quiet (partly due to deafness in one ear), he spoke with passion—evident in his book Mental Shrapnel, which vividly depicts the strain of trauma and amnesia. Sadly, his last published work was in KROTCH Magazine, Issue 15 (printed May 16, 2024).
We send our thoughts to those closest to him. We are grateful we shared moments with him, even briefly.
By December, we were exhausted both physically and mentally, to say the least, but made sure to end the year right by hosting a party at the OBJECT:PARADISE residence—Tyko and Sandra’s—where over 50 people came to dance, sing, and celebrate 2025.
Holiday part at the O:P Headquarters
And so, as we step into 2026, let us not forget all of the memories we created in 2025 and all the people we shared them with. From the creative chaos of Momentument to the celebrations of love and community, from OBJECT:PARADISE, we thank all of you who helped make 2025 a memorable year. With that being said, we tip our hats and beer glasses to both Asgeir and Philip, who left us too soon and will be greatly missed. May 2026 provide us more opportunities to love, share, and create together—because in the moment we share together, that is all that exists.
- OBJECT:PARADISE, January 1st 2026.
The OBJECT:PARADISE Collective: Jaromír Lelek, Tyko Say, and Sandra Pasławska
Photos by Tyko Say, Louis Armand, Jan Černy, Robert Carrithers, Zuzana Wrona, and Martin Doležal.
Read more about our team here, and check out our Manifesto while you’re at it!
Read more about our team here, and check out our Manifesto while you’re at it!